This month I finished a new video installation entitled Cathedral (2015), the first work I've completed in 4k resolution. It will be on display for the next year on a screen wall at 745 Thurlow St., Vancouver, BC, Bentall Kennedy LP, consulting by Public Art Management.
Cathedral considers the relationship of the screen to earlier forms of mediated light, such as stained glass, which both utilize "light through", as opposed to the "light falling upon" of the cinematic image. Marshall McLuhan contended that while the latter establishes a distanced point of view, positioning the viewer as the camera, the former generates participation and involvement, as the viewer becomes the screen itself -- "a thing of profundity and depth." Stained glass was the product of an environment designed for contemplation, a state not often encountered within our contemporary world. Cathedral draws upon these connections, merging organic and digital forms via a refracted metamorphosis of the Douglas Firs of Cathedral Grove in MacMillan Provincial Park. As technology and screens become ubiquitous, the timelessness of natural forms can offer a means for accessing moments of eternity.